Television critic Glenn Garvin looks back at the shows he enjoyed most for 2017 amid concerns that the year marked the bursting of a televised entertainment bubble:
The increase in shows is real enough. Discarding children's programming and unscripted reality and competition shows, about 500 original series were available on TV this year, more than three times the norm of 100 to 150 just a few years back. And overall ratings are down by some measures, though the dip may have more to do with imperfect Nielsen technology in tracking cord-cutters, viewers who watch streaming services rather than cable or broadcast.
But the most-employed argument that the TV programming bubble has burst is Netflix's cancellation of two of its highest-profile shows, Sense8 and The Get Down. Yet those shows died mostly because of their gaudy production costs: $12 million an episode for The Get Down, $9 million for Sense8. No television business ecosystem, past or present, can support those kinds of budgets.